But sorry, Scarface didn't do anything for me. I love Al Pacino and I liked out of Brian De Palma's work The Untouchables, Carrie and Carlito's Way. Reviewed by TheLittleSongbird 5 / 10 Didn't do anything for me could have made a much better film had he been given this budget. Avoid this like the plague-your brain will thank you for this!Įd Wood, Jr. In fact, and I know this will again prompt some nasty emails, I really think the film is intended for a stupid and undemanding audience who actually get off on this sort of brain-rot. There is absolutely no subtlety, no finesse and nothing of value in the film. None of his brilliance from THE GODFATHER is present, as he plays a buffoon. Also, while some have praised Al Pacino's performance, to me it seemed like ridiculous self-parody-like a dirty version of the guy he played in DICK TRACy-which, at least, was SUPPOSED to be a cartoon. It's as if DePalma's mantra for the film is 'when in doubt, have Pacino say the f-word or have him kill some people'. It's easy to say 'f-' and the like and it's easy to have millions spent for special effects explosions and gunfire, but these alone do not constitute a good film, as the writing was almost absent in the film and it was just a giant over-the-top parody of gangster films. The result is a deliberate assault on the sensibilities by using the f-word again and again as well as using extreme and pointless violence throughout. Instead of good writing and intelligent film-making, they hired Oliver Stone to write a hackneyed film. Despite this, the movie is sloppy and cheap. It is supposed to be an updated remake of the classic film of the same name from 1932 (starring Paul Muni). I am sure that I'll probably get some nasty emails about this one, but I think SCARFACE might just be one of the worst movies of the last 25 years-especially since it is so adored by so many and been so readily accepted as a 'great film'. Reviewed by MartinHafer 1 / 10 Unrelentingly vile

Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down.

Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him.

He also brings a new level of violence to Miami. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Colombian drug dealers goes bad. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. Tony Montana manages to leave Cuba during the Mariel exodus of 1980.

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